In fact, he stresses that these stories should be read without any commentary about the possible unconscious content. "Fairy tales can and do serve children well, can even make an unbearable life seem worth living, as long as the child doesn't know what they mean to him psychologically" (Bettelheim 57). This destroys the story's enchantment.
More recently, different authors have returned to the earlier usage of fairy tales, or conveying a message about society perspectives. Catherine Storr, for example, emphasizes a feminist viewpoint. In "Little Polly Riding Hood." Polly does not become a victim to the cunning of the male wolf. In fact, she outsmarts him and refutes the stereotype of men being smarter than women. Polly does not even live in a forest but in a city. She deceives the wolf by taking the bus or getting a ride to her grandmother's house. Finally, the story ends with the wolf saying: "Bother, bother, bother, and bother!'" said the wolf. 'It hasn't worked out right this time either. And I did just what it said in the book. Why can't I ever get you, Polly, when that other wolf managed to get his little girl?' 'Because this isn't a fairy story,' said Polly, 'and I'm not Little Red Riding Hood. I am Polly, and I can always escape from you, Wolf, however much you try to catch me' (Zipes et al.356). Thus, Polly becomes a modern heroine and a symbol of women's liberation.
Some stories go even further and make Little Red Riding Hood do the victimizing. Roald Dahl's character pulls a gun out and shoots the wolf to replace her silly cloak and hood with a "lovely furry wolfskin coat" (Zipes et. al 359). Philippe Dumas's "Little Navy Blue Riding Hood" includes a very determined and self-confident girl who is jealous of her famous grandmother, the "ex-Little Red Riding Hood." Little Navy Blue Riding Hood frees the wolf in order to revive the old story and become well-known like her grandmother. However, this wolf, the great-great-nephew of Perrault's...
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